Exhibition Bibliography

Books currently held by Tri-College Libraries are linked below

: Antebi, Nicole, Colin Dickey, and Robby Herbst. Failure!: Experiments in Aesthetic and Social Practices. Los Angeles: Journal of Aesthetics & Protest, 2007.

: Ault, Julie, ed., Show and Tell: A Chronicle of Group Material. London: Four Corners Books, 2010.

: Bedford, Christopher, Julia Bryan-Wilson, and Judith Butler. Mixed Signals: Artists Consider Masculinity in Sports. New York: Independent Curators International, 2009.

: Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship. Verso, 2011.

: Bishop, Claire. Participation. London: Whitechapel, 2006.

: Bourriaud, Nicolas. Relational Aesthetics. Dijon: Leses Du Réel, 2002.

: Buchloh, B. H. D., Judith F. Rodenbeck, and Robert E. Haywood. Experiments in the Everyday: Allan Kaprow and Robert Watts, Events, Objects, Documents. New York: Columbia University, Miriam and Ira D. Wallach Art Gallery, 1999.

: Dewey, John. Art as Experience. New York: Balch & Minton, 1934.

: Fletcher, Harrell, and Miranda July. Learning to Love You More. New York: Prestel USA, 2007.

: Helguera, Pablo. Education for Socially Engaged Art: A Materials and Techniques Handbook. New York: Jorge Pinto, 2011.

: Helias, Saul Eadweard. Ted Purves. Rupt, 2011. Print.

: Higgie, Jennifer. The Artist’s Joke. London: Whitechapel, 2007.

: Iversen, Margaret. Chance. London: Whitechapel Gallery, 2010.

: Jackson, Shannon. Social Works: Performing Art, Supporting Publics. New York: Routledge, 2011.

: July, Miranda, Allan McCollum, Chris Johanson, and Harrell Fletcher. Harrell Fletcher: Where I Lived and What I Lived For. Domaine De Kerguehennec, 2009.

: Kester, Grant H. Conversation Pieces: Community and Communication in Modern Art. Berkeley: University of California, 2004.

: Kwon, Miwon, One Place After Another. Boston: MIT Press, 2004.

: Le, Feuvre Lisa. Failure. London: Whitechapel Gallery, 2010.

: Purves, Ted, Sara Thacher, and Bridget Barnhart. Revelry and Risk: Approaches to Social Practice or Something like That. United States: Lulu.com, 2007.

: Purves, Ted. What We Want Is Free: Generosity and Exchange in Recent Art. Albany, NY: State University of New York, 2005.

: Spector, Nancy. Theanyspacewhatever. New York: Guggenheim Museum, 2008.

: Thomas, Hank Willis, Guzman René De, and Robin D. G. Kelley. Pitch Blackness. New York, NY: Aperture, 2008.

: Thompson, Nato and Gregory Sholette, The Interventionists: Users’ Manual For The Creative Disruption Of Everyday Life, North Adams, Mass.: Mass MoCA Publications; Cambridge, Mass.: Distributed by MIT Press, 2004, 05.

: Allen, Will, Diana Balmori, and Fritz Haeg. Edible Estates: Attack on the Front Lawn, 2nd Ed. New York: Metropolis Books, 2010

: Machine Project, Mark Allen, Jason Brown, and Liz Glynn. Machine Project: A Field Guide to the Los Angeles County Museum of Art. Los Angeles: Machine Project Press, 2010

: Berger, Doris, Lucy Lippard, Barbara Steiner, and Christine Hill. Inventory: The Work of Christine Hill and Volksboutique. Ostfildern: Hatje Cantz, 2004

: Dougherty, Claire. Situation. London: Whitechapel, 2009

: Kaprow, Allan, and Jeff Kelley. Essays on the Blurring of Art and Life. Berkley: University of California Press, 2003

: Knight, Cher Krause. Public Art: Theory, Practice, and Populism. San Francisco: Wiley-Blackwell, 2008

: Stimson, Blake and Gregory Sholette. Collectivism after Modernism: The Art of Social Imagination after 1945. Minneapolis: Univ Of Minnesota Press, 2007

: Kester, Grant. The One and the Many: Contemporary Collaborative Art in a Global Context. Durham: Duke University Press, 2011

: Creative Time : the book : 33 years of public art in New York City